Birmingham Building Stone Trails

 

Trail 1: From the Town Hall to the Cathedral

Birmingham is England’s second city, rising to prominence as an important industrial and manufacturing centre in the 18th and 19th Centuries. It was one of the first of the British urban centres to undergo an industrial revolution, and growing industries brought great prosperity to the city. This led in turn to grand civic buildings, firstly in the Victorian Classical style and later embracing the Gothic Revival and Arts and Crafts movements. This walk introduces the building stones used in the civic centre of Birmingham, from the Classical-style Town Hall to the late 20th Century granite-and-glass office blocks on Colmore Row. Central Birmingham not only presents us with a grand architectural tour of the last 200 years but an accompanying social history in stone.

Unless otherwise cited, all architectural information comes from the Pevsner’s Architectural Guide (Foster, 2007). This is the first part in a three-part series of guides to the building stones of Birmingham City Centre, produced for the Black Country Geological Society.

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This walk starts at the Town Hall and takes us through the civic heart of Birmingham in Victoria Square to Colmore Row, finishing at the Cathedral.

1. Town Hall
Birmingham Town Hall is the gem in the city’s urban geological crown. This splendid building, resembling a Doric temple, straight out of Rome and indeed it is modelled on the Temple of Castor and Pollux in Rome by its architects, the ill-fated Joseph Hansom and John Welch. The building project started in 1832, but Hansom soon went bankrupt and construction problems prevailed. Despite opening in 1834, a third architect, Charles Edge was employed in 1835 to sort things out. The Town Hall is built from brick but clad with Penmon Marble from Anglesey. The stone is of great interest, being donated to the City of Birmingham by Sir R Bulkeley, the owner of the Penmon quarries and its use here is one of the very few outside North Wales. Penmon Marble is actually a limestone which is quarried from Penmon Point on the northeast tip of Anglesey. It comes from the Loggerheads Limestone Formation of the Lower Carboniferous (Asbian) Clwyd Limestone Group. These are platform and ramp carbonates, which contain shoals of reef deposits, and fossils are frequently observed in this building; solitary rugose corals include Dibunophyllum sp. and Palaeosmilia sp. as well as colonial corals of Syringopora sp. Large, thick-shelled brachiopods, Daviesiella llangollensis are also common. The limestone also shows evidence of bioturbation and is often nodular. Stylolites are also common.

Dibunophyllum sp. coral (left) and Daviesiella brachiopod in the Penmon Limestone of the Town Hall

Dibunophyllum sp. coral (left) and Daviesiella brachiopod in the Penmon Limestone of the Town Hall

The lowermost ten or so foundation courses of the Town Hall, forming the podium, are in rusticated ‘quarry dressed’ blocks with smooth, well dressed masonry above. The building was restored during 2002-2008 with stone sourced from the original quarries. These new, fresh-cut blocks are clearly visible in several places around the building.

At the time of writing, Chamberlain Square, behind the Town Hall and in front of the Museum and Art Gallery was undergoing major redevelopment. However, of geological interest here is the Victorian Fountain which will be preserved in the new plans for this area.

Chamberlain Square and the Town Hall

Chamberlain Square and the Town Hall before redevelopment

2. Chamberlain Square Fountain
Chamberlain Square is named after Joseph Chamberlain (1836-1914), a Liberal politician who began his career as Mayor of Birmingham and then went on to be a Member of Parliament in 1886 in the local St Paul’s Ward. Chamberlain became an influential politician and is also the father of the Prime Minister Neville Chamberlain. The delightful, 20 metres tall, Gothic spire which is the Chamberlain Memorial was erected in 1880 to honour Chamberlain’s public service to the city, and funded by public commission. The monument was designed by namesake, but no relation, John Henry Chamberlain, a follower of John Ruskin and a great promoter of the Gothic Style. The memorial is of Portland Stone, the variety called Basebed, thought to be the finest quality of Portland Stone. Although relatively free of fossils, Basebed is slightly less well resistant to weathering and erosion than the more commonly used variety Whitbed. Nevertheless it is the best stone for taking the fine carving as shown here. Portland stone will be described in more detail in Part 2 of these building stones tours of Birmingham.

The plaque bearing the dedicatory inscription is in a fine piece of coarse-grained red granite, the large brick-red feldspars give this stone its distinct colour. Such granites are sourced from the Kalmar Coast of Sweden and are known as the ‘Coastal Red Granites’. They are derived from a series of 1400 million year old plutons intruded into the Transcandinavian Igneous Belt, part of a major Proterozoic mountain-building phase. The delicate glass mosaics, depicting wild flowers, are by the famous Venetian glass makers and mosaicists, Salviati and Co.

Turn now to the large complex of buildings housing the Council House and the Birmingham Museum and Art Gallery (below).

Museum and Art Gallery

Birmingham Museum and Art Gallery (left) and the Council House

3. Birmingham Museum and Art Gallery & Council House
The architect of this suitably impressive civic palace, with its giant Corinthian columns and rusticated walls, was the equally impressively named Yeoville Thomason. The Council House was built between 1874-9 and the Museum and Art Gallery added in 1881-5, following a bequest of paintings from local businessmen, the Tangye Brothers. According to Foster (2007), the Council House and adjacent buildings are built from Coxbench, ‘Wrexham’ and Darley Dale Sandstones, all are Upper Carboniferous sandstones. All three sandstones look incredibly similar and are hard to differentiate when seen out of their geological contexts. All are buff-coloured, quartz-rich, fluvial sandstones, medium to fine-grained and are variably micaceous and cross-bedded.

‘Wrexham Stone’ probably refers to Cefn Stone quarried at nearby Ruabon in Denbighshire (Clwyd). This was a popular stone, widely used for civic architecture in North Wales, the Midlands and the North West of England during the later 19th Century. It is derived from sandstones within the Upper Carboniferous Coal Measures of the North Wales coal field.

Coxbench Stone is from Horsley Castle, Derbyshire. It is a buff-coloured, medium-grained sandstone from the Rough Rock of the Rossendale Formation of the Millstone Grit. Like Cefn Stone it is not well known these days, but was widely used as a building stone in the Midlands and as well as here in Birmingham, it was the main stone used in the construction of Derby.

Darley Dale Stone is more properly called Halldale Stone. Halldale Quarry is situated in Hall Moor Wood, just above the village of Darley Dale where the stone is extracted from a down-faulted outlier of Ashover Grit. The Ashover Grit of the Millstone Grit Supergroup outcrops widely through Derbyshire and surrounding areas and is quarried in many localities, however Darley Dale stone was well known for its homogeneity and durability. The stone was worked here throughout the 18th and 19th Centuries until the quarry closed in the 1960s, however the site was purchased and the quarry reopened by Stancliffe Quarries Ltd. in 1984. Like the rest of the Millstone Grit Group, the Ashover Grits are Upper Carboniferous fluvial sandstones. The strength and homogeneity of this stone give it good properties for carving and it has been used on the Council House for the foliage on the cornices.

Devonshire Marbles

Devonshire Marbles, Birmingham Museum and Art Gallery

The interiors of the Museum and the Council House feature an impressive range of Devon Marbles, arguably the UK’s most important decorative stone, but sadly no longer worked. The marbles in the interior of the museum, which is readily accessible to the public, have been described in some detail by Walkden (2015b), and the stones he describes are also well illustrated in Walkden (2015a). In British geology the Devonian period is usually associated with red sandstones, deposited in an arid environment, however in the type area of Devon, Devonian strata include a series of reefal limestones, deposited in shallow marine conditions and including fossils of corals, stromatoporoids, crinoids and orthoceras. These were slightly metamorphosed, weakly deformed and stained with iron oxides, to produce the decorative stones we see today. The varieties Red Ogwell, Red Ipplepen, Pink Petitor and dark grey Ashburton Marble are used in the museum. Similar stones are used in the interior of the Council House, though this building is not normally open to the public.

Walk 1 continues on the next page…

 

 

 
References can be found on the last page of the walk (1.4).